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The Comrex BRIC-Link is a low-cost, high-performance solution for audio-to-IP conversion. Leveraging many of the core technical aspects of Comrex's successful remote broadcast ACCESS product line, BRIC-Link provides for an elegant way of moving linear or compressed audio with very low delay. BRIC-Link is very simple to use, and can be used over a wide range of IP links. While it carries an entry-level cost, BRIC-Link maintains superb audio specifications and hardware reliability, making the system suitable for STLs and other mission-critical functions without the expense required of more full-featured codecs.
BRIC-Link is contained in a small desktop package. Two BRIC-Links may be installed to occupy 1U of rack space.
BRIC-Link is uniquely suited to point-to-point "nailed up" high-quality audio links over a variety of data networks, such as:
The robustness of the BRIC technology (Broadcast Reliable Internet Codec) used in the box allows the system to perform well on the public Internet as well (using AAC compression modes).
For users concerned about delay and coding artifacts, BRIC-Link offers a robust stereo or mono linear mode that does not compress audio. In addition, unique to real-time audio codecs, BRIC-Link offers FLAC lossless compression, reducing network throughput by 30-40% with absolutely transparent coding and no tandem coding concerns. For situations where more reduced bandwidth is desired, BRIC-Link offers AAC/HE-AAC modes as standard, allowing superb audio quality at dramatically reduced data rates.
BRIC-Link is a true codec, offering a full-duplex stereo encoder and decoder in each box. Where two-way transmission is not required, the reverse channel may be disabled. The BRIC technology incorporated includes a jitter buffer manager that automatically balances delay and stability, dynamically increasing delay based on network performance. For networks where the QoS is known these parameters may be set so that a consistent level of jitter buffer is maintained.
End-to-end coding delay in linear modes is less than 25ms and FLAC modes are less than 30ms. AAC modes incorporate around 100ms total end-to-end delay and HE-AAC modes deliver around 220ms.
In addition to coding delay, network propagation and jitter buffers will add delay to any IP link and are network dependent.
BRIC-Link offers balanced, professional level analog I/O on 1/4" TRS connectors; a full set of 1/4" to XLR adapters are included. Alternately, the Left I/O connectors may be switched to AES3 digital audio format. Network connection is via 10/100 BaseT Ethernet jack. Contact Closure and Ancillary data are delivered on Mini-DIN style jacks. Audio level is displayed on the front panel via L&R tri-color LEDs. These LEDs may be configured to display send or receive level. A status LED on the front panel displays connection status as well as Ethernet status.
BRIC-Link acts as a web server, delivering an intuitive user interface web page. The page displays connection status, and allows the user to configure profiles for various connections, as well as point-and-click connection commands. Extensive network diagnostics are available via the statistics section, and audio level meters are available for remote monitoring of levels in and out.
Initial IP configuration is managed via a Windows-based setup utility to be run on a computer located on the same LAN. The utility also functions as an upgrade utility, allowing flash upgrades from the Comrex website to be applied to the hardware.
BRIC-Link can function as a streaming server, delivering multiple streams to computer based media players that support HE-AAC (also known as aacPlus). HE-AAC has the advantage of delivering good quality at very low network bandwidth. As an example, BRIC-Link can deliver more than 40 stereo streams over a T1 Internet connection when using the HE-AACv2 24Kb/s encoder. Tested players include WinAmp, VLC and Windows Media Player with Orban/Coding Technologies aacPlus Plugin.
BRIC-Link also offers the ability to act as a source feed for both SHOUTcast and Icecast servers. With a single BRIC-Link, you can expand your radio presence to the Internet without the need for a dedicated PC.
BRIC-Link provides for four end-to-end contact closures to be delivered along with the audio stream in each direction. Alternately, the contact closure inputs may be configured to initiate connections. An ancillary data stream is available via RS232 along with the audio stream.
In AAC modes, the system is capable of sending multiple one-way encode streams to separate BRIC-Links or Comrex ACCESS codecs (requiring additional bandwidth). In addition, BRIC-Link supports IP Multicast on capable networks.
Mount a single or two side-by-side BRIC-Links in your 19" rack.
Quickly and securely mount your BRIC-Link to a panel or wall with the Wallmount Bracket Kit.
Complete instructions on getting your Android or iOS device to connect to your ACCESS with the Media5 Fone app.
Easy-to-use Windows application for updating, configuring and installing licenses on your ACCESS and BRIC-Link codecs.
Establish connections and control multiple ACCESS and BRIC-Link codecs at the same time from your Windows desktop.
BRIC-Link's linear mode digitizes audio to 16 bit samples. It does not compress the audio further, but packetizes a frame of audio samples and transfers them across the network uncorrupted. Analog audio is sampled at 48 kHz, providing 22 kHz frequency response.
If AES3 Input/Output is used, BRIC-Link can utilize 44.1 kHz and 32 kHz sampled audio. As shown in the table below, this can conserve network bandwidth (and reduce frequency response slightly).
BRIC-Link offers the FLAC (Free Lossless Audio Compression) algorithm for those who wish to conserve bandwidth without sacrificing audio quality. Since FLAC is lossless (the exact PCM word applied to the encoder is extracted from the decoder) there are no concerns about artifacts or immunity to further coding in the link.
FLAC utilizes a variable output encoder, and data rate will rise and fall based on the ability of the encoder to compress a particular frame of audio. For example, during complete silence FLAC outputs less than 1/10th the data of linear PCM, while encoding full-spectrum, full scale white noise results in data rate slightly higher than PCM. On average audio, FLAC will typically remove 30-40% of the network data when compared to linear.
FLAC encodes analog audio at 48 kHz with 16 bit resolution. If AES3 In/Out is used, FLAC can utilize 44.1 kHz or 32 kHz sampled audio, further conserving bandwidth. Frequency response and all other specifications are identical to linear, with a slightly longer (5ms) delay.
For applications that require reduced bandwidth but excellent audio quality, BRIC-Link can utilize the highly regarded AAC coding algorithm (licensed by Fraunhofer IIS) to provide near-transparent stereo audio at a data rate of 128 kb/s or lower.
Several AAC modes are available that reduce bandwidth and offer a choice of stereo of mono operation.
To further reduce network bandwidth requirements (for example, for operation on the public Internet) BRIC-Link includes HE-AAC, which combines the coding power of AAC with Spectral Band Replication to reduce the data requirements for high frequencies. HE-AAC is typically deemed to sound nearly as good as AAC at lower network bandwidth. HE-AAC is the standardized version of the algorithm known as AAC-Plus.
Several HE-AAC modes are available that reduce bandwidth and offer a choice of stereo or mono operation.
This algorithm further increases the efficiency of HE-AAC by utilizing parametric stereo encoding. This results in a lower bit rate for stereo signals.
G.711 and G.722 coding algorithms for compatibility with SIP-style VoIP phones.
| Algorithm | Encode Rate | Network Rate | Bandwidth | Delay |
|---|---|---|---|---|
| Linear 48 kHz Mono | 768 Kb/s | 818 Kb/s | 22 kHz | 25 ms |
| Linear 48 kHz Stereo | 1.536 Mb/s | 1.586 Mb/s | 22 kHz | 25 ms |
| Linear 44.1 kHz Mono* | 705.6 Kb/s | 751.6 Kb/s | 20 kHz | 27 ms |
| Linear 44.1 kHz Stereo* | 1.4112 Mb/s | 1.4572 Mb/s | 20 kHz | 27 ms |
| Linear 32 kHz Mono* | 512 Kb/s | 546 Kb/s | 15 kHz | 31 ms |
| Linear 32 kHz Stereo* | 1.024 Mb/s | 1.058 Mb/s | 15 kHz | 31 ms |
| FLAC 48 kHz Mono | ~540 Kb/s | ~572 Kb/s | 22 kHz | 30 ms |
| FLAC 48 kHz Stereo | ~1.08 Mb/s | ~1.112 Mb/s | 22 kHz | 30 ms |
| FLAC 44.1 kHz Mono* | ~500 Kb/s | ~530 Kb/s | 20 kHz | 32 ms |
| FLAC 44.1 kHz Stereo* | ~1 Mb/s | ~1.03 Mb/s | 20 kHz | 32 ms |
| FLAC 32 kHz Mono* | ~360 Kb/s | ~382 Kb/s | 15 kHz | 36 ms |
| FLAC 32 kHz Stereo* | ~720 Kb/s | ~752 Kb/s | 15 kHz | 36 ms |
| AAC Mono | 56-64 Kb/s | 72-80 Kb/s | 20 kHz | 100 ms |
| AAC Stereo | 96-256 Kb/s | 112-272 Kb/s | 20 kHz | 100 ms |
| HE-AAC Mono | 18-48 Kb/s | 25-56 Kb/s | 15-20 kHz | 210 ms |
| HE-AAC Stereo | 64-96 Kb/s | 72-104 Kb/s | 20 kHz | 210 ms |
| HE-AAC Stereo v2 | 24-48 Kb/s | 32-56 Kb/s | 15 kHz | 250 ms |
| G.711 a-Law | 64 Kb/s | 72 Kb/s | 3 kHz | 35 ms |
| G.711 u-Law | 64 Kb/s | 72 Kb/s | 3 kHz | 35 ms |
| G.722 | 64 Kb/s | 72 Kb/s | 7 kHz | 35 ms |
*44.1 kHz and 32 kHz modes are only supported via AES3 digital audio I/O on both ends of link
Note: FLAC bandwidth is variable and based on audio input