To cover the Boston Marathon, Art Collins and his team mounted LiveShot to a motorcycle to provide live coverage using bonded cellular.
Continue Reading In the News User ReportsThomas Bohnet with Tanana Valley TV chose LiveShot for a live newsgathering solution more versatile than a microwave track that would get them in the field fast.
Continue Reading In the News User ReportsLiveShot lets this community media station broadcast video from anywhere, not just where they have cable drops.
Continue Reading In the News User Reports Gear in ActionEarforce, a recording studio based in Amsterdam, uses Opal as an audio interface to help their clients produce podcasts.
Continue Reading In the News User Reports Gear in ActionLearfield IMG College uses Opal for acquiring audio from play-by-play host talent and producing podcast interviews.
Continue Reading In the News User ReportsGary Langley, chief engineer at Interlochen Public Radio, uses BRIC-Link II for high-quality audio and has been able to get rid of ISDN.
Continue Reading In the News User ReportsSteven Kray, the sound supervisor at Oregon Public Radio, uses various Comrex IP audio equipment to stay on the air during the pandemic.
Continue Reading In the News User ReportsFor those who don’t have a dedicated codec, the free FieldTap app can get your staff and producers on the air as they from home during the pandemic.
Continue Reading In the News User ReportsWith both Comrex LiveShot and BRIC-Link, it’s easy to diversify programming, get creative, and keep your audience interested.
Continue Reading In the News User ReportsKevin Collins, an independent broadcast engineer and sports announcer, uses ACCESS IP audio codecs for live sports coverage at every level.
Continue Reading In the News User Reports