Latest News

Press Kit
Aug 26

Oregon Public Radio Broadcasts Through Chaos

Steven Kray, the sound supervisor at Oregon Public Radio, uses various Comrex IP audio equipment to stay on the air during the pandemic.

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Jan 26

Earforce Keeps Interviews Rolling With Opal

Earforce, a recording studio based in Amsterdam, uses Opal as an audio interface to help their clients produce podcasts.

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Aug 11

FieldTap Keeps Hubbard Radio St. Louis on Air

For those who don’t have a dedicated codec, FieldTap can get your staff and producers on the air as they from home during the pandemic.

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Jul 09

Pags Uses LiveShot to Break Barriers

Joe Pags uses LiveShot to add a visual component to his radio show and diversify his programming to reach new audiences.

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Mar 05

ACCESS Delivers College Sports

Kevin Collins, an independent broadcast engineer and sports announcer, uses ACCESS IP audio codecs for live sports coverage at every level.

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Feb 18

LiveShot Provides Low Latency, High Quality for TheBlaze

TheBlaze uses LiveShot to provide bidirectional video over the public internet, employing multiple for live transmission.

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Jan 23

Broadcasting Experts Connect to Clients Easily with Opal

Broadcasting Experts is a production house that uses Opal so clients can provide remote audio in a simple way that doesn’t sacrifice quality.

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Aug 15

Broadcasting from the Bahamas with ACCESS and CrossLock

iHeartMedia uses ACCESS for live audio from remote locations and CrossLock for reliable broadcast transmission.

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Aug 06

KILT Stays Connected With Comrex IP Audio Codecs

Robbie Green, Director of Technical Operations at Entercom Houston, uses Comrex IP audio codecs to power the Texans’ broadcasts.

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Jul 10

ACN: ACCESS for the Field, BRIC-Link for the STL

Tom Read relies on Comrex IP audio codecs to broadcast in high-quality from the field to the studio and from the studio to the transmitter.

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