Professional IP Audio Codec Compatibility
In this primer, we explain interconnect standards, why so few codecs can connect easily, and how to set your gear up to work with codecs from other brands.
Continue Reading eBooksIn this primer, we explain interconnect standards, why so few codecs can connect easily, and how to set your gear up to work with codecs from other brands.
Continue Reading eBooksACCESS helps deliver reliable audio over IP for Dixie Country and the community programming they provide to their listeners.
Continue Reading Gear in Action User ReportsComrex is a value-based company – everything we do is in support of our mission: to build reliable tools that broadcasters can trust to work.
Continue Reading BlogIs there an alternative to phone calls on the air? Yes! Learn about Opal for easy guest interviews that sound great.
Continue Reading BlogTelevision stations still need to produce high-quality video, regardless of the distribution channel. See how LiveShot can get the job done.
Continue Reading Blog Gear in ActionTo cover government events like inaugurations and city meetings, the Office of General Services in New York turns to LiveShot.
Continue Reading Gear in Action User ReportsThis year at NAB, we’re introducing something completely new, both for us, and for the industry. It’s called Opal.
Continue Reading Blog In the NewsTo cover the Boston Marathon, Art Collins and his team mounted LiveShot to a motorcycle to provide live coverage using bonded cellular.
Continue Reading Gear in Action User ReportsJayhawk Sports Network transitioned from ISDN to IP and now delivers games with Comrex IP audio codecs reliably.
Continue Reading Gear in Action User ReportsWQEZ uses BRIC-Link II as a 24/7 studio-to-transmitter link (STL) over the public internet from Cheboygan to Glen Arbor, MI.
Continue Reading Gear in Action User Reports